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Pachelbel Rant

RobPRocks
Comedy
YouTube
3 HN users recommended this comedy video3 months2012–2023 score 3
Years with an HN recommendation, 2007–2026

Brought up in threads about chord progressions and musical copyright as the funny canonical version of the idea.

Comedian and cellist Rob Paravonian rants about having to play Pachelbel's Canon in D, and shows how many pop songs reuse its chord progression. It was recorded live at Penn State.

“There was a relevant and entertaining stand-up bit about this” (HN, 2019)

3 recommendations · 4 citations · 3 jokes · Comedy

10 Hacker News comments

From the HN archive; up to 20 kept per video, favoring different commenters. Recommendations first.

@naravara Mar 2019 Recommends
on HN thread How did classical music in movies and TV become synonymous with villainy?
There was a relevant and entertaining stand-up bit about this: [this video] This might partly be why people love the music they heard as teens first. I hear a lot of stuff now that just seems like riffs on stuff I’ve heard before. I don’t have the nostalgia of first being exposed to it in my formative years to carry me through.
Entertaining stand-up bit on how familiar music feels derivative.

Citations, criticism and jokes

@iheartmemcache Jun 2017 Cites it
on HN thread Generating music with expressive timing and dynamics
Read more
> "It's sort of convincingly improvisatory." I'm not sure if it was the dynamics specifically, but it was clear to me that A was human. Within 30 seconds I was so sure, I hit pause and loaded the answer to see if I was right (I was, and I'm likely the worst pianist on these forums and only a casual fan of music that falls into the 'classical' genre.) Here's[0] a fabulous physics paper that analyses the 16th notes by a studio drummer widely considered one of the best in his field. IIRC, the paper mentions he couldn't record with a click because it'd throw him off. That being said, the quality of the recording didn't suffer (his 2nd take of the track was more than good enough for the rest of the musicians to record against). So his own 'internal metronome' was more than good enough. The interesting thing wasn't that his syncopation was incompatible with a click track, but rather the skew which evolved throughout each phrase had a mathematical model that fit well against it. The study compared his recording against a corpus of user submissions of the same track and all of these drummers universally followed a similar set of dynamics. So presumably all humans (or at least, all western drummers who elected to submit their recordings) have that same skew intrinsically. It's interesting whether it's a byproduct of culture (like an accent) or a feature intrinsic to humans. In fact, that itself would be an interesting study -- compare the patterns of a traditionally schooled western j
@ArekDymalski Sep 2015 Makes a joke
on HN thread A melody written by a crowd
It seems that the structure is already defined as standard pop/rock verse,verse,chorus,verse etc. And I guess it will result in people gravitating towards popular chords progression and melody. So at the end it won't be noise but a perfect Kate Perry/Shakira/Nickelback/campfire song like [this video]

Video list and Hacker News comment labels from HackerTube (prompted by @karpathy), released under ODC-By 1.0, built on the open-index/hacker-news archive. Hacker News data is provided by Y Combinator; comments remain the work of their authors. Video titles, channel names and thumbnails belong to their creators and are shown via YouTube. HackerTube Watch is an unofficial edition. Data export of 2026-10-31.

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